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Bandcamp ->
YouTube ->
images courtesy of 'cherrypop' (1982),
'altronic artworks' (2005), 'adsx' (2015) and 'eraserhead' (2018).
Sea
Wanton:
"...the next NOVA dancers will bring more hope than those killers ..."
(2024, Berlin, Germany)
our latest product is named
'Geri Reig 2.0'
"Non Toxique Lost (NTL) gets better and better with
each new release, and this is their best album yet in my personal
opinion. Each and every song contained here is just as good as the
next all sticking to a similar avant rock style. While there are some
similarities here to their previous release "vas tell i prana", this is a
much more fully realized album that flows extremely smoothly from
beginning to end. The songs are a mixture of creative, varied and
textured electronic sounds and effects combined with driving (bass ??)
beats placed over well orchestrated haunting melodies finished off by
Sea Wanton’s throat work that is a combination of
both angry snarling and melodic crooning. The overall feel of the
album is monotonous and sinister like a soundtrack to a sci-fi horror
film. NTL does an excellent job here of combining upbeat tempos with
strange harmonies and memorable choruses. I’m also very pleased to
report that there are vocals on each track. NTL has managed to meld
their usual vocal heavy style with their instrumental style to make
for songs that are a blend of both in one. This allows for the songs
to be very interesting and enjoyable to listen to from beginning to
end many times over again. While there are a few tracks here that
would definitely be big hits out on the club floor, this is not just a
shallow avant rock dance album meant to make you move. This music is
for both the mind and body as it will intrigue you as you knod your
head along to the grabbing beats. I especially feel that it’s
enjoyable on headphones as there is so much happening in it. This is
an album that didn’t leave my stereo for several days when I first got
it. And even now it’s something that I reach for quite often as it has
a unique edge about it that allows it to stand out of the crowd. This
album is just as enjoyable from the beginning to the end without a bad
track coming in to spoil the fun. This compilation is highly recommended to
fans of NTL, as well as to those who enjoy avant rock that contains
experimental electronics and club beats with haunting sci-fi moods and
melody. This is yet another contender for album of the year."
Mitch Kolywaski, Brisbane, 2024
in 2025, another astonishing album will be released to rave on. it
will be entitled '026750,9'. the songs are now
finished and have been excellently mastered by Jammin' Unit ... look
forward to 11 thrilling sound adventures !!
"Non Toxique Lost (NTL) gets better and better with
each new release, and this is their best album yet in my personal
opinion. Each and every song contained here is just as good as the
next all sticking to a similar avant rock style. While there are some
similarities here to their previous release "Geri Reig
2.0", this is a
much more fully realized album that flows extremely smoothly from
beginning to end. The songs are a mixture of creative, varied and
textured electronic sounds and effects combined with driving (bass ??)
beats placed over well orchestrated haunting melodies finished off by
Sea Wanton’s throat work that is a combination of
both angry snarling and melodic crooning. The overall feel of the
album is monotonous and sinister like a soundtrack to a sci-fi horror
film. NTL does an excellent job here of combining upbeat tempos with
strange harmonies and memorable choruses. I’m also very pleased to
report that there are vocals on each track. NTL has managed to meld
their usual vocal heavy style with their instrumental style to make
for songs that are a blend of both in one. This allows for the songs
to be very interesting and enjoyable to listen to from beginning to
end many times over again. While there are a few tracks here that
would definitely be big hits out on the club floor, this is not just a
shallow avant rock dance album meant to make you move. This music is
for both the mind and body as it will intrigue you as you knod your
head along to the grabbing beats. I especially feel that it’s
enjoyable on headphones as there is so much happening in it. This is
an album that didn’t leave my stereo for several days when I first got
it. And even now it’s something that I reach for quite often as it has
a unique edge about it that allows it to stand out of the crowd. This
album is just as enjoyable from the beginning to the end without a bad
track coming in to spoil the fun. This compilation is highly recommended to
fans of NTL, as well as to those who enjoy avant rock that contains
experimental electronics and club beats with haunting sci-fi moods and
melody. This is yet another contender for album of the year."
Bruce Cloudraw, Vancouver, 2025
the 'concrete
shelves' blog by Matteo Uggeri, where Sea Wanton tells and explains ...--> an (unfortunately
incomplete) overview of all our publications can be found on
'discogs',
and of course a complete and detailed description can be found
here ...
-->
and come on: there's a fan-page ('Non Toxique Lost') at 'Facebook':
give it a try !! --> a quick overview, if you're interested in
'cassette culture', can be found right
here...
never heard of
NON TOXIQUE LOST ? NTL appeared on the 'Q.E.D.'
d-lp-album, released in 1987,
manufactured and distributed by 'Play it again, Sam' ('P.I.A.S.', from Brussels, Belgium), compiled by the 'N.L. CENTRUM', Amsterdam (Netherlands)
international bands compilation featuring: Blurt, Chris and Cosey,
Club Moral, Code Public, Der Plan,
Die Form, Einstürzende Neubauten,
Etant Donnes, Het Zweet, Kleg,
Konrad Becker, Monoton, Laibach,
Marie Kawazu, Michel Banabila,
Non Toxique Lost, P16.D4, Peter Zegveld,
Radio Rabotnik TV, S.B.O.T.H.I.,
S.P.K., Sprung aus den Wolken,
Test Department, The Hafler Trio,
The Legendary Pink Dots, Zero Kama,
Z'ev
Bandcamp ->
YouTube ->
try to keep 18/19/20th of July 2025
reserved for something very special in the history of underground
music. yeah, Frank seems to be keen enough to make a 'mega' festival in
2025 happen. looking forward to hearing much noise.
Keep a note in your diary ...
Genesis Breyer P-Orridge: "...Truth and hope have no
boundaries, no set style, they are implicit most clearly in the way
you choose to live..." (note taken from 'TG
CD1', Mute, 1986) Sea
Wanton: "...After Auschwitz there's still a place like
Guantanamo. And there other games played than "Blackjack" ..." (2011, Berlin)
John Lydon: "...I Could Be Wrong, I Could Be Right..." (from JOHN
LYDON's site, book
title, 2020)
Lukas den Warme: "Music needs to be heard, not collected, and as such, I don't mind the form it comes in. Vinyl, CD, cassette or download, it's all the same for me." (from Vital Weekly, no. 1273, 2021)
K-Poppa-23: "Never forget your dreams.They are thee hopes ov thee future..." (Splinters-in-time, 2001)
Karl Fekel: "Disco music is like a porridge made of slime if you're in it then scream or think it's chic" (note taken from the 'Sounds' magazine, 1980)
Keiji Haino: "MUSIC IS GOOD WHEN IT SOUNDS GOOD"
Dirk "Diggen" Jora: "Stay rude, stay rebel..." (from Ox-fanzine, 2020)
LIQUID SKY ARTISTCOLLECTIVE: "iN Ch@0S iT AlL stArt3D in CH@0S IT w1lL 3nD!!" (from LSB-Tv site, 2021)
Beki Bondage: "A lot of our politicians are not only corrupt but clearly unfit for office." (from VICE
SQUAD site, interview 4)
MODULAR-STATION Radio: "...We examined your application to the MODULAR-STATION Radio, listened to your music and thank you for your request but it seems to us that - for now - your proposal does not correspond to our artistic direction..." (e-mail,
20210527)
from ??????:
[td_block_7 custom_title=”Latest Reviews” header_color=”rgba(255,58,58,0.8)” m16_tl=”7″ category_id=”8″ m8_tl=”7″ m6_tl=”7″]
Lawrence English: "...Don't forget to listen." (from ELECTRONIC SOUND, issue 79, p.
46)
Steven Gullotta:
"...because I don't personally enjoy your music does not mean that someone else out there won't.." (e-mail, 2021)
Peter Hope: "...still restless, inventive, innovative and 60 years old... Proof indeed that there's HOPE for us all!" (taken from his 'blog', Update September 2019)
Adrian K Smith: "...It's what I do. I never delete anything and I always sample the past. Stay safe and learn the banjo." (liner notes to 'Painting On Dust', March 2021)
neur0dancer: "NEVER.....EVER....trust authorities....they rarely tell the (whole) truth" (taken from his 'bandcamp' profile)
Paul Simonon: “I never wanted to go back and relive the glory days; I just want to keep moving forward. That’s what I took from punk. Keep going.” (taken from ???, The Clash)
Peter Kirn: "It’s not the bpm. It’s not the style. It’s the soul of the humans making the music that matters ..." (November 16, 2021, reviewing a 'techno' compilation at 'CDM')
BANDCAMP: "Restart your machine. Seriously, it’s an uncelebrated miracle how often it works." (taken from the 'help' section)
Martijn Comes: "In music, separating the wheat from the chaff these days is not easy, one has to apply some kind of compulsion and instinct towards interesting releases..." (taken from VITAL WEEKLY #1319)
Robert "Bob“ Rutman: "I am not really into music, I am into noise." (taken from the 'Moloko Plus Records' site)
James Lowe: "we turned out the lights and just played until it was over" (track data to 'Long Day's Flight, from 'Lost Dreams')
Penny Rimbaud: "Capitalism and peace is an oxymoron. Likewise, the charming brutality of the bourgeoisie. Forget the lies, it's all lies." (taken from 'Twitter', 2022-04-22)
Heraclitus: "You cannot step into the same river twice, for other waters are continually flowing on." (Greek
philosopher, c. 540 B.C.–c. 480 B.C.,)
???: "People don’t become less curious because they get older. Most people don’t stop discovering new books, films, podcasts or TV. Yet [new] music seems to be something(taken
from his 'Twitter' account, 20220830) that more commonly slips away..."
Ralf Siemers: "excreeperimental nanoise"
William Shatner: "... I cannot police what is sold as genuine or at what price or to who (caveat emptor) but every once in a while I can try to right a great wrong."
(taken from his 'Twitter' account, 20240821)
Cosey Fanni Tutti: "I’d bought myself a cheap Raver lead guitar from Woolworths. The way I used it there was no need for anything expensive. I didn’t know how, nor did I want to learn how, to play guitar. I never tuned it". (taken from 'Twitter', 20221011)
Wacław Zimpel: “Working with electronics makes me feel like being in front of the unknown. And this is most interesting thing for me: to confront the unknown.” (taken from 'The Quietus', Sep. 2022)
Richard Gleim:"Punk's political message was not to name political atrocities and to condemn, but in doing its own thing independently, and so to stand above the things and get in action..." (201190617)
Paul Bassett Davies:"...Avoid long threads. Go big or go home. Be deranged. No whimsy. Shun nuance. If in doubt, post a cat gif and move on. ..." (taken from his 'X' account, feb 2024)
Robert Görl: "Starting times are always very good. After a time of experiment, a more precise time follows, wich is a little colder, a little bit more normal, and a little bit more rational." (liner notes taken from the CD 'PRODUKT DER DEUTSCH-AMERIKANISCHEN FREUNDSCHAFT',
1999)
Bill Drummond: "IMAGING WAKING TOMORROW & ALL MUSIC HAS DISAPPEARED" (lettering on a bridge, somewhere in Sheffield,
image was shot in ca. 2011)
Mark Reeder: "Entertainment is the only industry that Berlin really has had to offer since those post-wall years..." (taken from 'Louder Than War' site, July 12, 2023)
Frank Maier: "why are there so many band-reunions, new albums and tours by 80s bands these days which you haven't heard in the past 3 decades? Is it for extra cash, being bored, 30 min of fame, new
demand, zeitgeist... honestly?" (taken from the 'VOD' facebook-site, jan/feb 2024)
Karl Marx: "It is the opium of the people. The abolition of religion as the illusory happiness of the people is the demand for their real happiness...." (taken from 'Deutsch-Franzosische Jahrbucher', 1844)
Don Preston: "There is no such thing as noise, is there? It's all music." (?????)
William S. Burroughs: "Nothing Here Now But The Recordings" (last release on 'Industrial Records')
Jammin' Unit + Sea Wanton (live at the 'KLANG25' festival, 2018,
Vienna). click
here (or click on image) to watch and listen on 'YouTube'.
thank you: Thomas Andrezak (AMOK, TANITH), Burkhardt Seiler (DER ZENSOR), Diedrich Diederichsen
(SOUNDS), Dimitri Leningrad (BERLIN ATONAL FESTIVAL), Dr Walker (LIQUID SKY BERLIN), Frank Maier (VOD),
Frazer Nash (MFM), Hans-Joachim Irmler (KLANGBAD FESTIVAL), Karsten Rodemann aka Graf Haufen (GHT), Macieja Frett (WROCLAW INDUSTRIAL FESTIVAL), Manfred Schieck (DOSSIER),
Mona Mur, Molto Menz
(ABSOLUT MEDIEN), Theo + Norbert Hähnel aka Heino (SCHEISSLADEN), Rigobert Dittmann (BAD ALCHEMY),
Roger Schönauer + RlW (SELEKTION), Roland Speckle (N.L.-CENTRUM),
Sebastian Lee Philipp (Die Wilde Jagd), Simon Crab + Steven Tanza (RECLOOSE ORGANISATION,
Bourbonese Qualk), Thomas Beck aka TBC (WACHSENDER PROZESS), Thomas Pargmann (MAUERSTADTMUSIK),
Lisa + Walter Robotka (KLANGGALERIE), Inca Gecco + Walter E. Hartmann (GEMINOX FESTIVAL)
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